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This week on the Otherppl with Brad Listi podcast, a wide-ranging conversation with Jonathan Franzen. His latest novel, Purity, is available now in trade paperback from Picador. It is the official August selection of The Nervous Breakdown Book Club.

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Even in the frozen center of Massachusetts winter, my college campus was ripe for the blood harvest. Red Cross banners were everywhere, always. I felt compelled to volunteer myself in part because it seemed such a blameless cause that I could think of no reason not to, and easy charity is de rigeuer for the college kid. But the first time I tried to sign up for an appointment, I was turned away. Somebody I vaguely knew — a student liaison for the Red Cross — looked up at me from behind a table in our echoing humid dining hall and told me, without asking my weight, that I wasn’t heavy enough to give blood. My winter coat dwarfed me, but she was still right: The Red Cross asks that donors be 110lbs, and I weighed only 100.

Over at Big Other, Roxane Gay–author, and editor at Pank Magazine–ruffles some feathers with her investigation into author payment among literary markets. That is, the lack thereof. Is exploitation too harsh a word?

At least one commenter seems to think editors are all but demonized by a readership sharing too much overlap with a community of authors wishing for publication from the same venues they’re trying (failing?) to support. It’s a contentious issue, as the comment thread suggests.

This writer has no realistic expectation that he’ll be paid for publication by smaller markets, but maintains fantasies about lucrative book contracts against all better judgment.

Is remuneration contrary to the purity of artistic ambition?