Thick White Crust - LEGACY
August 24th, 2008by N.L. Belardes
BAKERSFIELD, CA-
It’s time for a breakdown.
The magic realism had already started. Sugar skull ghosts and sparks of firework lightning bolts. It was September 10, 2001, Las Vegas. I just had a summer of dreams: airplanes, white tunics, exploding casinos. I left my girlfriend that day. I was going to hitchhike to California across the Mojave Desert the next morning, September 11th. Somehow, as the story will say, I got to California. Over the next several months I scribbled “Thick White Crust.” I could barely stay ahead of it as it chased me. I ran down flights of stairs into a university to let it out and then ran back out into the daylight, enveloped once again in drowning literary moments. The story is magic realism non-fiction. It’s a bite of a sugar skull. It’s the moment fireworks burst. It’s whatever you need it to be as you dream while asleep or awake.
Update: Listen to GSpot Interview: Nick Belardes - Magic Realism, Bugs and 9/11
L E G A C Y There is a story in my family that tells of the rape of a young girl faraway in the Mexican state of Sinaloa. It takes place in the early 20th Century. It might have been 1917. The year isn’t important as the shadow remains heavy across my family’s history.
When I heard the story I was in a kitchen in San Jose, California in 1996. My cousins, a tough brand of Chicanos and their friends—some with tattoos like Jesus scars—took a break from their nightly prowls to tell me the story. They were smoking. Their eyes were glazed. People came and went.
Outside, the San Jose streets were abuzz with people, horns, cop cars—chukos smoking and tires peeling out. My musician cousin Mike was there. His jazzy sax playing had transformed since the 1980s into a colorful punkabilly style. He had been in a band that won Star Search. They had a song in a Michael J. Fox flick. I could see all of that was gone now. He’d become even more of a nighttime bar-blasting sax icon; his weapon a giant golden pistol with a bullet spray of fiery music. His sombrero: a small brim hat. His gun belt: suspenders. His love: a tattooed Asian girl, Junko.
His two brothers were there. They talked and I listened. Their dad had died—was found dead in a car from a bout of hard living, diabetes. They called him the funnest man they ever knew. My father had been found dead in a semi from a similar sugar-struck heart. I missed their father’s funeral but had come up with mine to be with the family. We came through the Central Valley and cut past Los Gatos to wind among the garlic roads of Gilroy. To enter San Jose was to open childhood wounds, which I swallowed with pride. I forced happy memories onto myself. We passed Hellyer Park where I remembered fishing with a bamboo pole my father had made. We caught bluegill, trout…
My cousins said they didn’t know if the story was true. I couldn’t help but imagine the tale during long drives across the desert. I saw lightning bolts of a young beauty in the monsoon mountains. There were galloping horses and 1920s train rides. Poncho Villa growled in the wind and a church roared under the gaze of a priest’s corrupt eyes. They stared from burning bushes in the creosote desert. I was a peasant breathing the winds of revolution in desert-crossing dreams. I still am:
Lita Cisneros loved soldiers. She gazed at them on their magnificent horses. She watched them twirl their pistols and practice shooting with their rifles. She bit her lip and never got caught looking as she only flirted as a virgin should, from a distance.
Her mother had been in love with several soldiers—never banditos—and always the most honorable of men. Mostly, Lita loved to stare at those who came back from the Revolution. She would sit outside or poke her head from river bushes where she hid and smiled. She watched as they rode into town along the riverbeds near her home. The men had all left as boys. But upon their return, she noticed they looked stronger, war-torn. They had a look in their eyes as if they had experienced life and manhood. Their scars and dirty fingernails showed it. When they looked down at her they gazed at her as if they were fighting for something.
Soon she fell in love with Señor Renaldo Velarde, a soldier fighting for Poncho Villa. Renaldo had come home to take care of the funeral of his mother. He had received word of her death and now saw to it that his family was well taken care of before he again went off to war. Strips of bullets crossed his chest like the Holy Father crossed his soul. He wore two gun belts at all times. Lita loved that. She saw him ride into town that very day and imagined him firing his pistols in celebration. She marveled at his horse’s quiet gait.
It was early. The red sun broke over the treetops. Lita made her way to the church for prayers. She thought Renaldo looked magnificent—and he did. But then so did she. Her black hair was pinned up and some of its strands fell loosely about her neck. She wore a long white skirt that curled around her light-skinned body like a ruffled white seashell. It shifted and danced in the wind as she made her way to where Renaldo was also headed to the Church to pray for the souls of the dead.
Early that morning the priest finished his prayers and saw the beautiful Lita enter the church courtyard. He quickly glanced around to make certain she had come by herself. He never saw Renaldo.
“Why are you here, young Lita?” the priest said. He stood in a plain black robe. His arms were folded neatly across his stomach.
“To pray for the dead and the dying this day. My parents are so very old. I fear for them strongly. So I feel it is wise to pray for their souls too.”
“Why haven’t your brothers and sisters come with you? Don’t you know that God hears the prayers of the many, though he says he will listen to every heart that beckons him?” he said. “Please come with me. I must speak with you on this matter.”
Lita followed him into an antechamber whereupon entering he closed the door behind them. “This is the place for you to pray,” he said standing over her. “This is the place where you ask God’s forgiveness for your family, for yourself, and give to Him all that he asks.”
Young Lita shivered. She had never been afraid of the priest but now suddenly feared his callous stare.
Señor Renaldo Velarde visited his family only briefly that morning. He hugged his sisters and sat down to eat a meal of soup and bread with his cousins who had arrived the night before. He felt it necessary to discuss with the local priest how he should approach a certain dilemma he faced with his family estate. As the oldest, he had the sense of duty that obligated all eldest sons. But he was also angry. He wanted to keep fighting in the Revolution. Many of his friends had died and he wanted vengeance more than he wanted a united country. He had graciously come home, though during his travels he wondered where his allegiance really was. Was it with Poncho Villa, the Revolution, his family or some other cause?
After Renaldo ate, he parted with his family and entered Las Floras de la Madre Church. He had come to look for the priest.
Las Floras was a mighty building that soared into the Mexico sky. Mediterranean in style, it was white with arches curving over two bells in high towers. It beckoned to the green countryside, peasant farmers, wandering refugees and soldiers of the land. Surrounded by farmland, there were government buildings and homes nearby, but mostly, it was a town of peasants and middle class, not nobility.
Right away, Renaldo noticed Lita crying and coming towards him.
“Senorita?” he said. He saw that her face was red, her cheeks wet from tears. She shuffled past and out the door, sobbing. Quickly, he ran in the direction from which the young girl had fled. He knew he must talk to the priest, to figure out why such a beautiful young girl could be so heartbroken. The priest would know, he told himself.
Renaldo burst through a thick wooden door, and with a sudden look of shock, caught the priest in an antechamber committing a despicable act. The priest’s wide hands clutched beneath his robe with one hand and sniffed and snorted at a torn portion of the girl’s undergarment with the other. His back was to Renaldo and so it was several long moments before the priest even looked up from his ecstasy. Renaldo’s face turned from horror to anger at the priest for having violated the girl and the sanctity of the church.
“Father, what have you done?!” Renaldo’s voice bellowed.
The look of pleasure on the priest’s face turned to fear. “Nothing! I have done nothing!” the priest screamed.
“That is a lie! You have defiled a young girl and the honor of this church!” Renaldo grabbed the priest by the collar. He forced him from the room into the sanctuary, past aisles of pews toward an altar beneath a large crucifix showing the Christ being tormented. Stained-glass windows hung behind the crucifix showering rose, green and blue light into the room.
“Please! I beg of you! I have done nothing to the girl! She was upset, I tried to console her!” the priest said.
“The Devil has burnt a few sins from your loins onto your dirty hands.” Renaldo said. He held firm and forced the priest to stand before a cistern filled with holy water.
“I will not. You will hang for your treatment of me.”
“Drink from the waters of His Holiness, Father. Drink from the blood of the Saints,” Renaldo said. He then forced the priest’s head into the water. The priest kicked and grabbed. He clawed at Renaldo’s clothing.
“Do you feel this sin too, Father? It burns me.”
Renaldo held the priest’s head in the large bowl. Sweat poured from his forehead as he struggled to hold the priest. Water splashed from the cistern and bubbled onto both of them. He held firm until the priest fell limp across the bowl, his head submerged, eyes wide and filled with tiny bubbles. The priest’s hair flowed like ocean seaweed in the sudden calm water.
Finally Renaldo let the priest’s body slump to the floor. A whip of water flung across a few rows of benches. He then dragged the body back to an antechamber. He dropped the priest onto the floor and didn’t bother to close the empty eyes that now stared upwards. Death glared into the stillness of the room, toward the wooden beams that crossed the ceiling.
There was another door at the back of the antechamber. Renaldo quickly pushed it open. Inside, he saw a locked cabinet. He then went back and searched the dead priest and found a set of keys that he used to open the cabinet. Therein he found a small chest filled with paper money. He grabbed it and tucked it under his arm. “At least I didn’t even have to shoot you,” he said to the dead priest. He then rushed out of the church into the warmth of the Mexican sun.
Somehow, knowing the girl would not dare to go home, he found her hiding along the very stream bed where he had entered town. His horse walked behind him, drank water, and swished its long black tail at flies that buzzed along the grassy banks. The stream moved silently between tall grasses and long stemmed flowers. He saw Lita on her haunches, crying and splashing water beneath her skirt. She didn’t know he could see her. For a few moments he stared at the beauty of her face and neck. He saw her perfect white legs and imagined the blossom between them.
“Nothing will help purify you,” he said stepping into view. “But I have at least taken revenge upon the priest for his ungodly act.”
Shocked, the girl stopped crying, and fell back into the water. “Go away!” she said. “You cannot help me. No one can!”
Renaldo stepped close to Lita. “That is not true. I have helped you. But it is no longer safe for either of us to stay here. You must come with me to America, to California. That is the only haven you will ever have. You are a disgrace to your family. Come,” he said. He held out his hand. “You must go with me. You have no other choice. Fate has chosen your path.”
Read More of “Thick White Crust”:
Part One: H A U N T
Part Two: B O N I F A C I O
Part Three: S E P T E M B E R
Part Four: L E G A C Y
Part Five: G R E A T G R A N D M O T H E R ‘ S B U L L E T
Part Six: N O N - M I G R A N T S
Part Seven: D I A d e L O S R A S C A C I E L O S
Part Eight: T H E G A T H E R I N G
Part Nine: W H I T E F L I E S A N D W I D O W S
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N.L. BELARDES is a journalist, blogger and videographer. He writes several media blogs, including Noveltown’s Paperback Writer and Nick 2.0 (Formerly on ABC23). His work has appeared on the homepage of CNN.com and other news sites all over America. You can purchase Lords: Part One, which describes the infamous Lords of Bakersfield. They still creep the city long after they and a 1977 Central California dust storm ravaged the area. N.L. welcomes humorous notes and news tips to his MySpace or Twitter.
Tags: 9/11, Alta, author, Baja, California Writer, casino, Chicano fiction, day of the dead, Death, dia de los muertos, family history, gulf, Las Vegas, Latino, magic realism, N.L. Belardes, Poncho Villa, revolution, September 11, Sinaloa, sugar skulls






















Wow, that story was very engaging, very well written….you are a gifted writer! Is it really a true story?
I’ve never sought out to prove any of the story. As in any family, there are varying versions. Which is true? This is my book of dreams… I can’t say.
I remember reading… I can’t really comment on it because I’d probably spoil it for the rest of your readers who haven’t read Thick White Crust yet.
All I can say is that stuff like that happened a lot and remained a “holy secret” for years and now it’s finally starting to come out.
I’ve been enjoying re-reading the new and improved version of TWC, N.L. Looking forward to more.
I am enjoying the rewrite which I think is much better than the poorly written original. It’s an entirely new story in some respects.
This chapter’s intro was never in the original…
That was beautiful, descriptive narration. I can see all the images in my head as this old western comes to life in my imagination. These dreams are beautiful.
I love how Lita admires from afar… so naive and romantic. Renaldo so masculine, angry and strong. Two paths that cross then intertwine because of a dirty priest. It seems their fate was to be together… to tackle the obstacles of life together to build a love story that will be told for generations.
Is there some kind of wicked tragedy ahead for these two? I guess I have to wait, huh? Can’t wait for the next installment.
The next chapter is definitely a continuation of their story. Wicked? Perhaps. There is something to say about men in my family having good intentions but then having a completely wicked side. So what are they? Good or bad? Or just people? Maybe I’m Renaldo.
Now you make me want to go back and read the previous installments. And I will. It’s nice you know your family history, however sordid.
I come from a long line of abandoners, on both sides, mom and dad both adopted, mom’s mom took off when she was 3 and her dad gave her away to a cousin because his new wife didn’t want her. My mom ran off when I was a baby. I guess I was smart to not have any kids eh?
I look forward to the future stories
Mischief
Thanks Mischief. It does make me wonder what your kids would be like and whether any of those abandonment issues would strike. You wouldn’t give me away, would you? Don’t answer that.
Family stories are so intriguing. I suspect that, even going back generations, they are a resonant part of our personalities today…
I agree, Kaytie. As much as we try to deny it but can have the power to control it, I believe our personalities do stem from generations past.
i loved this one, Belardes.
i loved it right from the beginning where there were tattoos of Jesus scars.
it was a beautiful read. the priest’s hair flowing in the water gave me the chills.
now, foot-binding.
Lenore, you’re such a brat! I mean, thanks for loving this one. Ok, Ok… I’m giving you your foot-binding piece in the form of a flash sentence:
Mothers of Olympic feet bathed in Chinese gold never saw such magic when bound and crippled in the Beijing cold.
Are you Renaldo? I think I can almost see it. Your writing brings to my mind all the colors of Latin American styled writing - Cather, Anaya, Esquivel, Marquez - all so beautiful in magical realness and natural beauty. I can smell the dust and incense in the air; I can see the priest’s hair floating in the holy water. Transfixing.
Thank you Erika. I wonder if every man wants to be Renaldo? And I wonder what the answer to that would be this chapter versus if I were to ask the same question after the next installment. I am honored that you include my name in a sentence alongside such literary greats. Dust and incense…yes!
I didn’t remember that intro before. It added a little something extra to the story. Love the tattoos.
It’s been a journey re-editing this book. I may even add a bonus chapter as I make my way through it. In a twist of irony, the L.A. podcast, GPod, where I talk about Thick White Crust and Small Places is going to go live on Sept. 11.
Very very good.
And I can’t believe you left me speechless. How about that?
Oh come now. You? You’re the blogger of a million words!
Legacy has always been one of my favorite chapters of Thick White Crust. I love the old romantic story of Lita and Renaldo. I love the romantic history… however, the new beginning in San Jose with your tattooed cousins really grounds the ‘legacy’ into your own history and present day. I really enjoyed the image of hardened tattooed men sitting around smoking and telling you, their academic and literary cousin, such a rich and romantic tale of family history!
“San Jose was to open childhood wounds, which I swallowed with pride.” I think we all at sometime or another swallow childhood wounds, do you think our childhood wounds shape us as adults?
In your comments you said: “Maybe I’m Renaldo.” How do you think your own romanticized comment of being Renaldo applies to this beautiful line: “I was a peasant breathing the winds of revolution in desert-crossing dreams. I still am:” Are you romanticizing male family traits in your family? Or simply romanticizing the ‘Legacy’ story from your family?
Are you Renaldo?
Ask me if I’m Renaldo again after the next chapter. I mean, if I said yes now, people might believe I think of myself as some kind of heroic person. That would make me look like I had some kind of a complex. After the next chapter, people will have a richer view him.
I do think childhood wounds shape us. Look at Phelps when he said kids picked on him all the time. Look at his determination and destiny.
Not sure I am romanticizing. I am just characterizing the idea that families have legacies that shape them and that legacies and histories all interconnect, shape and destroy.
Ok Belardes… taking the easy way out.
I guess I’ll ask you if you’re Renaldo again after the next chapter!!
At this point in the story, wouldn’t many men want to be Renaldo? But no, I’m not him in the heroic manner you may be envisioning. Yet it is a memoir, and it’s partially built from dreams. So, sure, the consciousness of the story and everything in it is me.
Just wait until we get to the chapter you’re in. I’m going to grill you! Oops, did I say too much?
Oh yes, you spilled the beans… I do make an appearance in Thick White Crust.
Have I mentioned I love the chapter names in Thick White Crust. I do… I mean “Great Grandmother’s Bullet” Such a tease!
Seriously though, Haunt, Bonifacio, September, Legacy… all very rich titles! They tell a story within themselves.
Nice change of pace in terms of the landscape and time. Rich imagery, I can almost see myself in old Mexico.
And I do think our family legacies, good and bad affect us. I know mine has, but maybe even in ways I don’t realize - makes me want to look further back.
Your writing is raw and I love that. Kudos Mr. B.
I think people should always look back as far as they can to better understand themselves… thanks for the raw verbage about my rawness.
It’s so awesome to hear this story with so many details! I like it… I always thought that this story made us so distinct… such a crazy backstory to our family tree. I totally remember Mike doing Star Search… hahaha we have it recorded on VHS! But I didn’t remember that he had a song in a Michael J Fox movie…that is pretty cool.
Hi Aly. I could be wrong about that. I’m going to do some research to see if I can track that down. I used to have a Kingpins 45. My dad used to tell me the song was used in a MJ Fox movie. But then, the info could have been wrong…
Here’s a coolio link to Mike Belardes’ latest project, The Quirx. I dig.
By the way, Mike on Star Search needs to be on YouTube!! Do it! Yeah!
The Quirx - really liked Katydid Steak.
…Cananal sex, oh my.
This was a nice comment left on the Noveltown myspace…
“I went to the link and found a beautifully written story of Southern California, the home of my fiancee and editor. I don’t know quite why I got there. My family is one of actors, musicians and artists. I am the only writer and I like that. My father was a child star with MGM in the ’30’s with Judy Garland and Mickey Rooney, my daughter designs greeting cards for Nieman Marcus another teaches college level digital photography in Iowa. I have brothers who trod the boards every month while the hold professional and executive jobs. I was a bluesman in a former life and still stay in touch with the greats.
Thanks for the invite.
John
http://www. freewebs. com/nuetzel”
Wow, thanks chingpea…
Try Numero Dos
Mostly because I’m lazy I’m culminating all my comments into this one post…and now it’s become shorter because I have no clue what I wrote the first time.
Do you think you explore your chicano heritage more now because of your upbringing or do you think its natural curiousity?
You mention that you’ve consciously pushed the visions of your dad out of your mind…share with me how you think this works as I’m interested to hear your view point because I’m pretty sure I’ve done the same thing.
It seems as a child your father and you had an okay relationship…at what point did this change? At what age do you remember seeing things for what they were? Did this make your relationship with your mother stronger?
As I mentioned before, I’m loving this. It’s like all the questions I’ve had for ten years being answered. Seems as though I should apologize for not asking more…
When’s the next chapter? I’m impatient and may not have much time (hah hah)…anyway you could email it to me..you know..on the sly? I’m kind of a big deal.
K-dawg, you are a big deal! Now let me answer your questions…
I think both. I feel I missed out, so I try to explore because of my heritage-less upbringing. I am a curious person though.
Well, I think I pushed out visions of my dad because of some inner protective mechanism. There were problems in having a weak bond. Made him mere shades of what he could have been even while alive. I think people want and expect a lot from their parents. Parents should give to their children. And never stop. Memories are stronger that way. Unless you’re beat a lot as a kid. Then trauma takes over. And you don’t forget that, no matter how weak of a bond…
I saw things for what they were when I was about 7. Naturally I gravitated to my mother.
Next chapter tomorrow or tonight…
NL,
This is so tangible. I can feel the air and the heat and see the whole story in my head because it is so well written. Every detail is crucial. Amazing. On to the next one.
Sorry I never read you before. The title and your picture scared me. Stupid, stupid me.
What? You were scared of the bug? hahaha… Hey, Lenore is way more scary. Right, Lenore?? Lenore??
Just jarshin’…
I won’t use that scary skeleton face anymore.