Tuesday, February 7, 2012

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TRAVEL

Red Beard’s Silent Deal

by
GRAND RAPIDS, MI
29 October 2009
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In Alba, Italy’s rain, my hair flattens wet against my skull. Hugging the shopfronts of Via Vittorio Emanuele, I see a white triangular peak in the distance. It could be anything—a downed mountain bowing to commune with this street, the cobblestone river that carved it—except, glowing with rain, it looks to be made of canvas. I know.

I know. It is October. This is Alba. Simple arithmetic: October + Alba = Truffle Fair. Math never smelled so good. I thank the wet heavens for this day off. I am in Italy’s Piedmont region to work the seasonal wine harvest, sleeping in a tent in the garden of the Il Gioco dell’Oca bed-and-breakfast. But today, I am relieved of my grape-picking duties, and the white truffle beckons.

The truffle is an underground fungus of the tuber genus (some call it an underground mushroom), found beneath the bases of oak, linden, poplar, elder, willow, and wild hazelnut, where they establish a symbiotic relationship with the tree. They enjoy a cool soil about eight to ten inches below the earth’s surface. The truffle’s roots are as strong as its perfume. They are incredibly thick and intricate, surrounding the “fruit” or “gleba” with a cortex called a “peridio.” These characteristics vary greatly among the varieties of truffle, distinguishing each gem to the scrutinizing eye of the truffle hunter.

Truffles themselves are surrounded by legend. A famous Italian tale from the Piedmont regionclaims that truffles make their homes in the graves of dissipated gnomes and that their often-irregular shape is a result of the heartbeats of soon-to-be-sleeping plants. Truffle hunters, or “trifolau,” have always had their quirks and secrets, and their own fair share of lore. Often disguised as a man and his dog strolling an autumn hill at night, the trifolau are reputed to walk with lighter steps than the rest of us, and speak only with necessary words. The truffle-sniffing dog or “tabui” is calmer at night (hence, the typical night hunt); also, the night protects the trifolau and tabui from the imploring eyes of others. (Pigs can also be used to detect truffles, but dogs are preferred since they are less likely to eat the reward).

This peak in the distance is the demure cap to Alba’s famed truffle tent. Polar, bearish, the fur on the back of my neck stands up.

Soon, I am at its entrance and, ducking my head like a linebacker preparing to unleash a bone-crunching tackle, I dip my white face into the seas and come up with a salmon, flapping into U, inverted-U, U, inverted-U in my jaws.

Umbrellas woosh open and closed around me, people entering, people leaving. What an indulgent invention the umbrella seems in a tent so connected with the soil—with these personal hand-held awnings, nobody gets wets, and in turn, nobody dries off.

I shudder from the waist up as a dog shedding a rain-sheen onto a business suit or two, and survey this white vacuum of aroma and taste and commerce. Row after row of truffle vendors chat with a clamorous array of buyers, displaying their wares that they dug from deep earth oak tree bases with the aid if their sniffing dogs. And now, these black and white delicacies, the essence of earth and epitome of fungus, lie platter-lit under glass containers, exhumed by the merchants to be held, like their children, to the noses of probable patrons. This is the second coming through a kaleidoscope.The dirty gray rock-like truffles, so much like figs, play their cards close to their chests until the glass container is lifted and aroma spills the room like oil.

There is something in the contained stoicism of a red-bearded man in the tent’s west corner that makes me want to buy a truffle from him. He, unlike the operatically effusive majority, seems to share the wise hermit nature of the truffle itself. He knows. That’s all.

I walk to him, the sea of people and their downward-pointing umbrellas rushing from my heels like jet smoke. His red face, unearthed just this morning perhaps, spreads in a bread-and-butter grin.Wordless, he reaches for his platter, left hand bracing its bottom, right hand poised on the container lid. This is potential energy as it should be. Two steps later, the lid is off, the sweet white truffle smell of soil and mushroom, corn husk and asphalt gift-wraps itself bowless over the back of my head, grabs me my the ears like a schoolyard bully. I am thrown face first into this silver platter’s playground dirt. This is not fair. I’m telling on you. I want my mom.

In what sounds to me like a blubbering cry, I ask, “Quanto per uno?”

He waves his chapped hand over the pile, indicating that I choose my favorite. Always the champion of the underdog, I choose the second one from the top, a battered golf ball of a tartufo boasting the elegance of the clubs that hit it. Red-Beard, with a thumb and forefinger, lifts it from its family litter.It wriggles and wags like a puppy. The next thing I know, it’s in my hand. Its touch is gold and scab, bottlecap and skipping stone.

Once a white truffle touches your skin, a strange symbiosis ignites. A purchase is inevitable, even for those with a psychotic regard for self-denial. Rough, dimpled, irregular, geologic, its bloom waits for contact with a truffle shaver and a quail egg, a plate of ravioli, a loin of venison. I’ve never felt the stirrings of fatherhood before, but…

And just like that, he picks it from my palm as a poppy, weighs it, and writes £80,000 on a slip of blue paper. Forty dollars for an entire white truffle—worth about $1,800/lb. in the U.S.—forty dollars for a tongue’s meditation stone that will span a week’s worth of dinners. I want to weep. I want to pray. I want to, and do, hand him the money, and he proceeds to wrap the sweet baby in a fan of white tissue paper, then places it into a tiny paper bag. I hold the bag to my face and breathe as if hyperventilating, as a horse licking the first or last oats from its feed-bag.

Then Red-Beard, perhaps as penance for his namesake’s pirating, perhaps due to my treasuring of his ware, removes a plum-sized black truffle from another platter, wraps it, and hands it to me without so much as a “Prego.” I match his silence, my hands go numb, my hair most assuredly turning white.I am in a place where the purchase of a white truffle gets a black truffle thrown in for free. This place is Alba, Italy. $19.95 for twenty steak-knives be damned. I reach my bagless hand to Red-Beard and he shakes it, his palm rough as cornflakes, eyelids drooping nearly to the corners of his mouth.

Retreating to the tent’s entrance, the other merchants thrusting, then cradling their truffles under my nose, offering their perfume, my eyes begin to water, my breath shortens, my head spins in a wild vertigo. This is sensory overload at its best, the ripe fungal blossom of the tent tattooing itself into my nostrils. I need to take a breath of rain.

And in a step, stutter, step, I am back in it, iron pencil sky relentless in its spewing. I tuck the truffle bag into my windbreaker’s heart-pocket and make for the bus back to Il Gioco dell’Oca, where the kitchen will hopefully be empty, and my tent, most certainly, saturated.

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Matthew Gavin Frank MATTHEW GAVIN FRANK is the author of “Barolo” (The University of Nebraska Press), a food memoir based on his illegal work in the Italian wine industry. His memoir, "Pot Farm," is due out from the University of Nebraska Press in 2012. His poetry book, "The Morrow Plots," will be published by Black Lawrence Press/Dzanc Books in 2012 as well. He is also the author of “Warranty in Zulu” (Barrow Street Press), “Sagittarius Agitprop” (Black Lawrence Press/Dzanc Books), and the chapbooks “Four Hours to Mpumalanga” (Pudding House Publications), a poetry sequence about his initial visit to his wife’s homeland in rural South Africa, and “Aardvark” (West Town Press), a poetry sequence that strangely engages the alphabet. Recent work appears in The New Republic, Field, Epoch, Crazyhorse, Indiana Review, North American Review, Pleiades, AGNI, The Best Food Writing 2006, The Best Travel Writing (2008 and 2009), Creative Nonfiction, Gastronomica, Plate Magazine, and others.

To research “Barolo” Frank spent six months in Barolo, Italy (pop. 646), living out of a tent in the garden of the local Pittatore farmhouse. Through the Pittatore family, he was able to secure work picking wine grapes for famed vintner Luciano Sandrone. Through Sandrone, Frank developed relationships with the region’s families, restaurateurs, butchers, vintners, local foodstuffs, odd markets, and circus-like atmosphere in experiences both gustatory and death-defying.

Matthew Gavin Frank was born and raised in Chicago. Bitten by the food, wine, and travel bug, he left home at age seventeen, embracing the vagabond lifestyle that often lent itself to work in the restaurant industry. He ran a tiny breakfast joint in Juneau, Alaska, worked the Barolo wine harvest in Italy’s Piedmont, sautéed hog snapper hung-over in Key West, designed multiple degustation menus for Julia Roberts’s private parties in Taos, New Mexico, served as a sommelier for Chefs Rick Tramonto and Gale Gand in Chicago, and assisted Chef Charlie Trotter with his Green Kitchen cooking demonstration at the Slow Food Nation 2008 event in San Francisco. He returned to academia and received his MFA in Poetry and Creative Nonfiction from Arizona State University. He taught creative writing to undergraduates in Phoenix, Arizona, and nonfiction writing to soldiers and their families near Fort Drum in upstate New York on the Canadian border.

Frank is the recipient of an Illinois Arts Council Fellowship, an Artist’s Grant to the Vermont Studio Center, the Sonoran Prize, and numerous grants from the Virginia G. Piper Center for the Creative Arts. Presently, he teaches creative writing at Grand Valley State University in Michigan.

His current favorite ice cream flavor: beet-jalapeño. Find him at www.matthewgfrank.com

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