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FLASH NONFICTION

Touch Me, Heal Me

by KIMBERLY M. WETHERELL
BROOKLYN, NY
17 September 2008

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I stopped breathing the day I read this:

In a perfect world, you could fuck people without giving them a piece of your heart. And every glittering kiss and every touch of flesh is another shard of heart you’ll never see again.

-- from ‘Bitter Grounds’ / Fragile Things by Neil Gaiman.

Damn. I still can’t breathe when I think about that.

My generation (‘X’), the daughters of Modern Feminism, were told that casual sex and the ability to make love ‘like a man’ was possible.

Can we really touch each other without consequence?

I can’t.

In the spirit of sisterly solidarity, I gave it the old college try but I could never truly muster the ability to separate physical love from emotional.

Every touch means something to me. 

A moment. A connection.  A possibility.

Even something as seemingly insignificant as a handshake holds the potential to change my life.

Orthodox Jews and devout Muslims will not touch a woman other than their wife because the sharing of flesh is such a holy act.

I find myself deeply bound to the people I touch; even more so to the people who touch me.

A touch starts with a spark of contact; a white-hot tingle, a chilling flush. If it’s momentary, it can be a sudden quake that hatches a thousand chrysalises and if it lingers, a flood of giggles mix with a warm cup of the most delicious chocolate and I am suddenly safe, content, home.

Volumes are spoken in the silence of shared pressure, duration and intensity.

Someone’s touch transcends corporeal contact and cuts me deeper than I can comprehend.

When a touch is relinquished, I am left scarred by indelible fingerprints.

Sometimes, I’m afraid to touch people, in anticipation of the inevitable tattoo. I shy away, hesitant to take on a new mark.

I wonder if I’m running out of room.

And in turn, I wonder how much more I’m willing to give away. How many shards do I have left? If our heart is the strongest muscle in the body, how is it that it is so easily shattered?

Then again... from broken things, beauty is possible.

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Kimberly M. Wetherell KIMBERLY M. WETHERELL is an award-winning filmmaker, stage director and storyteller. Her most recent short comedic documentary Why We Wax is distributed in North America by Seventh Art Releasing, and by Planète/Canal Plus in France, Belgium, Luxembourg and the French-speaking regions of Switzerland and Africa. A clip can be seen on Al Gore's non-fiction cable channel and website CurrentTV.

She is currently in development on her debut feature film, Lullaby, and writes, produces and directs a variety of independent films, promotional videos and book trailers at her Brooklyn-based production company, She Shoots to Conquer.

Kimberly is the New York City Organatrix of two wildly popular reading series: The Nervous Breakdown's Literary Experience!, held quarterly at Manhattan's legendary Happy Ending Lounge and DimeStories, the 3-minute flash reading series held on the first Sunday of every month at Barbès in Park Slope, Brooklyn.

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1 Comment»

Comment by Autumn
2010-01-25 15:39:22

There are those in the polyamorous lifestyle who believe that even “purely physical” interactions are emotional on some level. If sex is fun, and fun is an emotion, then perhaps all sex is emotional.

But who I am kidding? I also never learned to separate sex from emotion. The few times I tried, I felt either ashamed or foolish, or both.

 
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