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The coyotes worked in teams, taking what they needed while the subdivisions slept and the moon and stars rattled around in the sky. It took two or three of them to carry a piece of lumber; they would clamp it in their jaws, stop every so often to rest and readjust. Other items were more trouble: slippery things like jars of nails, or heavier things, like the outboard motor they abandoned on the sidewalk after their backs nearly buckled under its weight. Still, the coyotes were mostly quick and effective thieves. They fanned out through the valley, careful not to hit the same neighborhoods over and over. The humans never knew what was happening. By the time the water rose and they were drowning in their homes, it was too late to do anything but stare as the coyotes floated past on their ark, saving no one.

If you want to see something striking —
the bits flying upward, dusting
the air with cyclones, perfectly conical,
particles gaining speed and imploding
on Demerol and smudged ink
like a star’s last wheeze
you don’t wait light-years
to receive — call something dead.

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So your new book Wet Reckless is broken into four parts. Can you explain what they are?

They are based pretty loosely on places I’ve lived. These are not really all the places I’ve ever lived and they are not really chronological but somehow it works to tell my story. The book is described as poetic memoir.

Went to jail today to get a rap sheet
through metal detectors and elevators out of a ’60s police show
found the right room down a long marbled hall
of plexiglass windows
people shuttling in and out of doors with numbers on them.

Confession

By Bobbi Lurie

Poem

i have a special drawer where i hide my drugs
closer to the terrible

and inside me is an entourage of
frantic flowers waiting to be gazed at

There is a railroad. There is coming
until near the end, then arrival.

Near the end everything is built to move
away. May it return.

There is a whole heap of earth to cut across
for me to come to you

to dig into, to burn and to turn
to steam, to coal, and to iron.

f2587ffe03646449764f4a747282fd88_400x400What kind of a last name is “Ripatrazone”?

My family’s actual last name is “Ripatransone,” like the town in the Marche region of Italy. The “z” was mistakenly substituted for the “ns” when they reached America. Our lives are filled with those mistakes and misunderstandings. Sometimes it’s best to simply roll with them.

When I visited my Scottish uncle in De Aar, he sat
on the back porch of his cottage with a Winchester,
polished like auburn sex, loaded. When he shook
my hand his finger pressed into my wrist and the vein
tingled while we burned through brush in the silver
Geländewagen, his jokes about taking women in the back
of Woolworths, clearance racks shaking like branches in wind.

I woke up and kissed you and left the room. I woke up and you were lying in bed and I leaned over and kissed you before I left the room. Before waking up I was asleep and before I was asleep I was awake and might have been kissing you but after I was asleep I was definitely awake and definitely kissed you and left the room.

George Korolog Photo

Isn’t it hard to pen and ask yourself questions that could possibly cause you look like a pompous ass?

Yes, very hard. It is incredibly easy to be seen either way, and this only adds another layer of complexity to the equation. Freud would have a field day with this, wouldn’t he?

A damp stench of wildflowers. The
memory of vacant highways fixed in

her bones, a recurring memory oozing
tragic lines, cracking the marrow with

guttural airs not meant for human ears,
lies driven too deep, too hard, too often,

I find naked Jesus
in the King Cake a zombie brought
from Della Calce Street

so I have
renewed my luck
I drain a shot of absinthe

I sit dumbfounded as your
yellowed body asserts itself
into my cringing awareness.
Only yesterday you were
an old soul peering through
young eyes at a world wearing
gossamer garments to hide
black and blue secrets.

My daughter in the frantic evenings
Knits some stars and secrets,
Some pictures of our old wet pots,
Some letters loosely hanging
Over our home library attic.

He is a nerve-bound
blunderbuss.

I know this, my body
a house choking
on smoke

while his ribs and comet
legs beat as one
like the throbbing sea.