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d11112b022aIs Everyone Loves You Back really your first novel, or do you have five more hidden in your desk?

I wish I had five novels stashed in my desk. But no, this is really my first novel. I did start one back in the late 80s. I got about 50 pages in and showed it to a writing class. Big mistake. One of the other writers, an experienced editor, or so I thought at the time, told me I had no idea what I was doing, that my pacing was all wrong, more like a short story than a novel, and that I would run out of steam unless I made an outline and slowed things down. Now that I am recounting this, I wonder why I didn’t just make the outline and keep on going? But I didn’t. I put the book away and never finished it.

elyb_7Bob Boland is surrounded. Yuppies everywhere. Goddamned professional women with their blunt cuts and power suits, their wimpy men, pale faced and narrow shouldered, their PhDs, MDs and JDs on proud display in their book-lined studies.

The neighborhood has always been full of snobs — half of it belongs to Harvard, the other half to Harvard professors, grads, and wannabes, the type who donate buildings and gymnasiums, who endow symphony chairs in perpetuity — but there used to be room for the little people, who deliver the mail, plow the driveways, clean the teeth, fix the burners. Now the new rich are crowding them out, throwing around so much money that the neighborhood is barely recognizable. Slate roofs, copper drains, specimen trees, heated driveways — nothing is too good for them. If there’s a beautiful front yard, they put up a fence. If there’s a fence, they tear it down and put in a hedge. Blacktop becomes lawn; lawn becomes groundcover; groundcover becomes brick. And God forbid the house should peel. Bingo! An army of painters descends, airlifted from the latest Third World country in collapse, sanding, scraping, hanging like bats under the eaves, risking their lives to try out matching trim colors.

eacoverInstead of sleeping, my new husband spends his nights out of doors, procuring animals for his next day at work: a basket of rabbits, a glass receiver of frogs, two pigeons, an owl, a dog, several tortoises, two cats. I never considered, but all of a sudden I notice, how Paris adores and despises its animals. In every home at least one pet, and courtyards are lousy with cows and hens, shit on stairs and stones. Paris loves animals more than it hates shit-covered stairs, and women would rather walk their dogs than their children. Not to mention shit is good business—sold to tanners by stooped ladies fighting with spoons over the biggest droppings. Meanwhile, the fanciest dog market at Saint-Germain-des-Prés jacks up prices, and ladies strut up and down Pont Neuf with their fluffy prizes. Regulating this surge in pets, a new law requires dogs to be muzzled, and a tax is announced—from one to ten francs depending on the breed. Now people just toss their animals in the river. So the first pound opens, rue de Pontoise, in the shadow of Notre Dame. Dogs are stuffed behind bars, then hanged or struck on the head. “Well bred, good looking” dogs are stored eight days, then sold back to the stalls, while “mongrels, or those without collars or breed,” live without food or water for three days, and are given to people like Claude who show up to take them. As with humans, “class is determined by breeding and partly by occupation.”

China_Final_2_BleedsOriginally published in 1937, And China Has Hands, the final published novel of literary gadfly and political radical H.T. Tsiang (author of The Hanging on Union Square), takes place in a 1930s New York defined as much by chance encounters as by economic inequalities and corruption. Tsiang shows us the world of 1930s New York through the eyes of Wan-Lee Wong, a newly arrived, nearly penniless, Chinese immigrant everyman who falls in love with Pearl Chang, a biracial Chinese and African American woman who wanders into his life.

And China Has Hands editor and Tsiang scholar Floyd Cheung writes in his Afterword: “H. T. Tsiang, like his characters, sometimes seems like a man living at the wrong historical moment. He wrote about the double-consciousness of the Asian-American experience before the category of Asian-American was invented. He depicted a half-Black, half-Chinese character before the rise of multiracial consciousness or mixed-race studies. He performed the role of a trickster critic during a time when audiences wanted a native informant. He railed against Chiang Kai-Shek at the very moment that Chiang was being named Time Magazine’s “person of the year.” In addition, he endured Chinese exclusion, the Great Depression, World War II, and the McCarthy era. In short, Tsiang sailed against the wind and tides during his time in the U.S.”

katherine-a-sherbrookeYou’ve said Fill the Sky, while fiction, is based in part on an actual trip you took to Ecuador. Is it true a shaman spit cologne on you?

Yes, as crazy as it sounds, that part is true. It was the first shamanic ceremony I had ever experienced. None of the others were quite so…sticky.

 

Wait, you didn’t go running from all shamans after that?

Actually the harder part, is when a shaman tells you things about yourself you know are true at some level and yet still don’t understand, or are unwilling to admit.

 

Like what?

Well this particular shaman basically told me I was “tired,” which I took offense to since I had left the company I had founded a year before and had been napping religiously ever since. How could I be tired? What he meant though, I understood later, was that I had yet to find what gave me fuel in my life, and so I was destined to feel continually drained if I didn’t figure that out.

finalcoverTess hung up the phone and fought against an overwhelming sense of powerlessness. She wasn’t willing to accept her inability to help, to do something. She had pulled it off four years ago, the last time Ellie was sick. She’d done the research and found just the right medical team to blow away the odds and usher Ellie into remission. But that same team had now told her friend, her dearest friend, that she would be lucky to get another six months—nothing much they could do. And in her desperation, Ellie had already decided that flying off to Ecuador to work with shamans, or medicine people, or whatever they were called might be her only chance at survival. How had she failed her friend so completely?

“Jonathan!” She yelled from her chair.

9781942515531One and One Make Two

But there were moments. I do remember moments. Judy says you add them up and get nothing. She says every child is entitled to make up her own burdies. And I say if the memories are real and you add yours up, you’ll get a sum. One and one make two.

I remember as a little boy being with my father in Uncle Raymond’s furniture store. It was just possible my father had been working there for a while, perhaps selling used furniture out of the dusty, dimly lit back of the store while Uncle Raymond worked out of the shiny and wax-scented showroom up front. It’s possible my father had taken me to work with him that day. Anything is possible. In my memory I am crawling around on the floor, exploring among the old dining room tables and chairs and somber dark chests while my father waits for his customers in an easy chair, like a bear sitting back in his lair. I must come on him unwittingly for when he says, “Where do you think you’re going?” he takes me by surprise and I don’t have an answer. The light is so dim back there that he seems to be part of the chair. The armrests are massive and end in what look like an animal’s claws, with deep grooves between the fingers. The chair’s fabric has a staleness about it I’ll later associate with the staleness of caves. My father sits there, almost daring someone to come in and give him reason to rise. One foot is planted squarely on the floor, and there isn’t another, of course. His hand briefly grazes the top of my head. “Where do you think you’re going?” may be the first words of his I remember, a rhetorical question, for surely he knew the answer. I was going to him.

another-place-youve-never-been-275x413A kid answered the door. He wasn’t wearing pants. He had on a white Buffalo Bills T-shirt over light blue boxers, and a pair of men’s suede slippers that hung two inches beyond his heel.   He was skinny and sandy-haired and pimply. His eyes were small and the whites were cloudy and yellowish but the blue iris was very bright. The warmth of the house met Tracy’s face and softened it.

“Hola,” Tracy said. She was shivering from her waist and her lips wouldn’t meet.

The kid stared at her.

She took her hand from her pocket and jerked her thumb backward over her shoulder in the direction of her truck. “I’m in a ditch,” she said.

The kid wasn’t tall enough to see over her shoulder, so she stepped to the side so he could gaze out around her.

“I don’t have my phone on me,” she explained.

patricide-frontcover600I imagine that many things will be said about D. Foy’s highly anticipated novel, Patricide, over the next few months. There will be much hushed and head-shaking praise levied, not only at the arresting way in which it’s told but also about the subject matter—surviving an unsurvivable childhood.

And yet while this is very much the story of one man’s colossal, cyclonic attempt to remake himself from the shards of an annihilating boyhood, I think that it is much more than that. It seems to me that the true subject of this narrative, is the collision of dreams. The lengths to which parents and children break and remake each other and themselves on this contested terrain, this no man’s land of lovesick, homesick, heartsick dreams.

mperks-whatbecomesus-coverDear Reader,

Previously in our story, our parents had failed five months in a row to make a baby, and Father had grown frustrated. He couldn’t figure out what our mother was doing wrong. For his Christmas/Chanukah present she gave him a skiing vacation in Steam Boat Springs, Colorado. She secretly thought it would give her a break from him, but he insisted she join him, so he could continue his spermatazoon campaign.

On their second day out, Mother was buried in an avalanche. She waited for our father to rescue her, and when he failed to do so, she thought she would just give way for the last time. But then she remembered there might be life inside her. She bucked and shook her head and arched and reared up into blue, blue sky, gasping and crying, covered in powder.

And not alone. Because that is the moment we came to consciousness in an explosion of bright, bright blue. Not one, but two mouths opening in perfect synchronicity. Twins startled into being, we immediately knew every thought our mother ever had, her past, her present, everything that is, except our future.

cbw-coverLucy runs away with her high school teacher, William, on a Friday, the last day of school, a June morning shiny with heat. She’s downstairs in the kitchen, and Iris has the TV on. The weather guy, his skin golden as a cashew, is smiling about power outages, urging the elderly and the sick to stay inside, his voice sliding like a trombone, and as soon as she hears the word “elderly,” Lucy glances uneasily at Iris.

“He doesn’t mean me, honey,” Iris says mildly, putting more bacon to snap in the pan. “I’m perfectly fine.”

the-sleeping-world-cover-originalSpring 1977

Our final university exams were in two days. Grito would probably pass because despite everything, he’d been staying up and studying. La Canaria was sure to fail, and she’d get sent back to the Canary Islands, where they were rioting, and I’d have to deal with a blubbering Grito. As for myself, I just didn’t know.

We’d spent all semester protesting, gathering in the plaza and marching for the Communist Party, for democracy, for the legalization of divorce and abortion, for jobs, for anarchy, for anything except what we’d always known. Our dictator general finally dead and there would be democratic elections soon, the first in more than forty years, but we didn’t really know what they would mean. We’d stayed out all day, screaming and drinking, pinning the Communist Party’s hammer and sickle to our bags and jackets. La Canaria walked around with safety pins she’d stolen from her part-time job at La Reina Tailoring, and a couple of potatoes cut in half, offering to pierce anybody and anything.

rituals-of-restlessness-cover-photoSimple. Engineer Kamran Khosravi would die in a car accident. Easy, done. He finished smoking his cigarette with chilling calm, so that for the first time in all the years he had smoked, he could enjoy lighting one cigarette with another and, without wetting his palate, not taste the foul tang in his mouth.

“Does the smoke bother you?” He rolled down the car window.

“No, sir.” The man’s sharp Mongol eyes were darting from side to side, unable to remain fixed on anything. Just like the way he talked, with all those annoying questions.

“Where are we going, sir?” “We have work to do.” “What kind of work?”

He felt less anxious when he talked. He did not want to stay quiet for even one second. Just to talk, about anything. It did not matter what.

beneathcoyotehills_cover-copyI had a normal childhood until Pop lost his job and took up the bottle. Mom became depressed soon after. My brother Zack and I would arrive home from school to find her lying glumly on the couch watching TV in her nightgown, too blue to greet us. Still, I got good grades, made the junior high varsity baseball team, was popular enough. Though nothing compared to my brother Zachariah: two years older, first in the state in the 440 yard dash, class president, ladies’ man. Zack was still big brotherly in those days; he showed me the correct way to slide into base, advised me on my swing, helped me with algebra. He seemed to know everything, born like a computer with many gigabytes of information pre-stored in his brain.

summer-she-was-under-water-front-only-for-screenSam’s parents leave early the next morning to float down to the marina and fill up the newly repaired motorboat with gas. From the screened porch Sam and Eve drink coffee after their breakfast and watch the older Pinskis take their positions on board. Sam’s father turns on the motor and fiddles with the choke, a cigarette limp and unlit in his mouth. Pat and Karl Pinski seem to operate from some unspoken code, one in which the past is never mentioned, one’s current desires are never articulated, and allusions to the future are always vague but predictable. The only reason Sam can think of as to why someone would want to live in a minefield after a war is that they’d know where all the remaining mines are buried.