The TNB Book Club

Screen Shot 2015-11-02 at 9.21.04 AMAvailable from Unknown Press

“Rift made me laugh my face off, cry my guts out, and remember why writing matters: stories save us from our idiotic but lovable selves.” —Lidia Yuknavitch, author of The Small Backs of Children

A stunning collaboration from Robert Vaughan and Kathy Fish, two masters of flash fiction, who’ve blended their work together in a vibrant explosion that is all of these things: evocative, heart wrenching, rare in the wild. The stories in Rift explore the gamut of human connection and conflict, where emotions run deep beneath the surface. Divided into four sections: Fault, Breach, Tremor, and Cataclysm, writers Fish and Vaughan thread together their tales of strange encounters, mishaps, accidents, and disrepair. The world of Rift is riven, tumultuous, and haunting. In here, danger lurks and the fallible human heart lay exposed and vulnerable. Fish and Vaughan leave their readers spellbound, mystified, and eager for the next story.

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41FeK9ggXXL._SX321_BO1,204,203,200_Available from Tyrant Books

“Money, sex and deception is an irresistible combination, and Bad Sex is un-put-downable. Brett is a lovable heroine–a lusty, wrongheaded writer, flawed and rueful, yet charging ahead. She wants everything she knows is bad for her–alcohol, drugs, and to have violent, lurid sex with her husband’s rapscallion banker–and we root for her all the way.” —Rebecca Curtis

“I drink, I hurt myself and the people around me, and then I write.” Brett is in Central America, away from her husband, when she begins a love affair with his friend, Eduard. Tragedy and comedy are properly joined at the hip in this loosely autobiographical book about infidelity, drinking, and the postponing of repercussions under the sun. Though coming undone is something we all try to avoid, Martin reminds us that going off the rails is sometimes a part of the ride.

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9781616955212Available from Soho Press

“A fearless and harrowing meditation on the ruination and transformation of cities and of people; but amid loss and destruction, Bell finds a strain of piercing hope. This is an extraordinary book.” —Emily St. John Mandel, New York Times bestselling author of Station Eleven

Detroit has descended into ruin. Kelly scavenges for scrap metal from the hundred thousand abandoned buildings in a part of the city known as “the zone,” an increasingly wild landscape where one day he finds something far more valuable than the copper he’s come to steal: a kidnapped boy, crying out for rescue. Briefly celebrated as a hero, Kelly secretly avenges the boy’s unsolved kidnapping, a task that will take him deeper into the zone and into a confrontation with his own past and long-buried traumas.

The second novel from the acclaimed author of In the House upon the Dirt between the Lake and the Woods, Scrapper is a devastating reimagining of one of America’s greatest cities, its beautiful architecture, its lost houses, shuttered factories, boxing gyms, and storefront churches. With precise, powerful prose, it asks: What do we owe for our crimes, even those we’ve committed to protect the people we love?

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51vUEnCumKL._SX331_BO1,204,203,200_Available from Dzanc Books

“Daring, precise, and linguistically acrobatic, this novel brings a history of America alive, from the war protests in the sixties to turn-of-the-21st-century art theft. A fearless portrayal of madness and its consequences, Carmiel Banaksy’s debut novel tracks the life of a suicidal housewife and her unlikely, schizophrenic counterpart. This is a new writer to savor, reminiscent of Nicole Krauss, Michael Chabon and Andy Sean Greer.” —Colum McCann, National Book Award-winning author of Let the Great World Spin

Greenwich Village, 1959. Claire Bishop sits for a portrait—a gift from her husband—only to discover that what the artist has actually depicted is Claire’s suicide. Haunted by the painting, Claire is forced to redefine herself within a failing marriage and a family history of madness. Shifting ahead to 2004, we meet West, a young man with schizophrenia obsessed with a painting he encounters in a gallery: a mysterious image of a woman’s suicide. Convinced it was painted by his ex-girlfriend, West constructs an elaborate delusion involving time-travel, Hasidism, art-theft, and the terrifying power of representation. When the two characters finally meet, in the present, delusions are shattered and lives are forever changed.

The Suicide of Claire Bishop is a dazzling debut, evocative of Michael Cunningham’s The Hours (and Virginia Woolf’s classic Mrs. Dalloway), as well as Donna Tartt’s bestseller The Goldfinch. With high stakes that reach across American history, Carmiel Banasky effortlessly juggles balls of madness, art theft, and Time itself, holding the reader in a thrall of language and personal consequences. Daring, sexy, emotional, The Suicide of Claire Bishop heralds Banasky as an important new talent.

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51cM2Rbd1ZL._SY344_BO1,204,203,200_Available from Algonquin Books

This Is Your Life, Harriet Chance! has all the wonderful snap and sizzle we’ve come to expect from Jonathan Evison’s work, and as much heart as any novel I’ve read in recent years. Jonathan packs an entire life–many lives–into this fine book, and does so with the empathy and insight of a writer at the top of his game.” —Ben Fountain, author of Billy Lynn’s Long Halftime Walk

With her husband Bernard two years in the grave, seventy-eight-year-old Harriet Chance sets sail on an ill-conceived Alaskan cruise only to discover that she’s been living the past sixty years of her life under entirely false pretenses. There, amid the buffets and lounge singers, between the imagined appearance of her late husband and the very real arrival of her estranged daughter, Harriet is forced to take a long look back, confronting the truth about pivotal events that changed the course of her life.

Jonathan Evison has crafted a bighearted novel with an endearing heroine at its center. Through Harriet, he paints a bittersweet portrait of a postmodern everywoman with great warmth, humanity, and humor. Part dysfunctional love story, part poignant exploration of the mother/daughter relationship, nothing is what it seems in this tale of acceptance, reexamination, forgiveness, and, ultimately, healing. It is sure to appeal to admirers of Evison’s previous work, as well as fans of such writers as Meg Wolitzer, Junot Díaz, and Karen Joy Fowler.

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23462654Available from Harper

“You can make the case that Lidia Yuknavitch is the most compelling writer alive. The Small Backs of Children has moments of séance with writers like Jean Rhys and Clarice Lispector. I felt bewitched, possessed, destroyed, and yet I’d do it again.” —Porochista Khakpour, author of The Last Illusion

A masterful literary talent explores the treacherous, often violent borders between war and sex, love and art.

With the flash of a camera, one girl’s life is shattered, and a host of others altered forever…

In a war-torn village in Eastern Europe, an American photographer captures a heart-stopping image: a young girl flying toward the lens, fleeing a fiery explosion that has engulfed her home and family. The image wins acclaim and prizes, becoming an icon for millions—and a subject of obsession for one writer, the photographer’s best friend, who has suffered a devastating tragedy of her own.

As the writer plunges into a suicidal depression, her filmmaker husband enlists several friends, including a fearless bisexual poet and an ingenuous performance artist, to save her by rescuing the unknown girl and bringing her to the United States. And yet, as their plot unfolds, everything we know about the story comes into question: What does the writer really want? Who is controlling the action? And what will happen when these two worlds—east and west, real and virtual—collide?

A fierce, provocative, and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena, Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writers.

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61K8tqcbIWL._SY344_BO1,204,203,200_Available from Grand Central Publishing

“A raw, boisterous, generous novel with a heroine to match and New York in its soul, Saint Mazie offers proof again that Jami Attenberg is a brilliant, lion-hearted storyteller.” —Maggie Shipstead, author of Astonish Me

Meet Mazie Phillips: big-hearted and bawdy, she’s the truth-telling proprietress of The Venice, the famed New York City movie theater. It’s the Jazz Age, with romance and booze aplenty–even when Prohibition kicks in–and Mazie never turns down a night on the town. But her high spirits mask a childhood rooted in poverty, and her diary, always close at hand, holds her dearest secrets.

When the Great Depression hits, Mazie’s life is on the brink of transformation. Addicts and bums roam the Bowery; homelessness is rampant. If Mazie won’t help them, then who? When she opens the doors of The Venice to those in need, this ticket taking, fun-time girl becomes the beating heart of the Lower East Side, and in defining one neighborhood helps define the city.

Then, more than ninety years after Mazie began her diary, it’s discovered by a documentarian in search of a good story. Who was Mazie Phillips, really? A chorus of voices from the past and present fill in some of the mysterious blanks of her adventurous life.

Inspired by the life of a woman who was profiled in Joseph Mitchell’s classic Up in the Old Hotel, Saint Mazie is infused with Jami Attenberg’s signature wit, bravery, and heart. Mazie’s rise to “sainthood”–and her irrepressible spirit–is unforgettable.

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816fUC5kMcLAvailable from FSG Originals

“[Gray’s stories] register as leaps of faith, brave excursions into the realms of the unreal–and convince me that Gray may yet prove an important voice in experimental writing.” —The New York Times Book Review

A searing new collection from the inimitable Amelia Gray.

A woman creeps through the ductwork of a quiet home. A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread–raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

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-1Available from A Barnacle Book

“In Contenders Erika Krouse has written a novel as hard-paced and surprising as her heroine, the inimitable Nina Black, who can beat almost any man in an unfair fight. But Contenders isn’t only about street fighting. It’s also about the spiritual life and the life of the affections, within and beyond family. Can Nina come back from the edge of darkness? I couldn’t stop turning these brilliant pages to find the answer.” —Margot Livesey

“Nina was a thief, technically, although she never defined herself that way. Stealing was sponsorship. Fighting was the passion.”

Street-fighter Nina Black lives by her fists in Denver, stealing wallets and taking advantage of men who try to take advantage of her. This symbiosis is upended when one of her marks, a cop and MMA comeback contender, wants his wallet—and his dignity—back.

Avoiding retribution is difficult enough alone, but it becomes impossible once Nina gets unexpected custody of an orphaned eight-year- old niece she didn’t know existed, accompanied by her long-lost (and ever-vigilant) childhood flame, Isaac. When the situation implodes, only one person can help Nina earn back her life, and prepare her for the fight that might end it.

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517gZ9r+jlL._SY344_BO1,204,203,200_Available from Bloomsbury

“Daniel Handler turns whimsy into wisdom and the fantastic into the great. He is, of course, a genius.” —Lorrie Moore

A boat has gone missing. Goods have been stolen. There is blood in the water. It is the twenty-first century and a crew of pirates is terrorizing the San Francisco Bay.

Phil is a husband, a father, a struggling radio producer, and the owner of a large condo with a view of the water. But he’d like to be a rebel and a fortune hunter.

Gwen is his daughter. She’s fourteen. She’s a student, a swimmer, and a best friend. But she’d like to be an adventurer and an outlaw.

Phil teams up with his young, attractive assistant. They head for the open road, attending a conference to seal a deal.

Gwen teams up with a new, fierce friend and some restless souls. They head for the open sea, stealing a boat to hunt for treasure.

We Are Pirates is a novel about our desperate searches for happiness and freedom, about our wild journeys beyond the boundaries of our ordinary lives.

Also, it’s about a teenage girl who pulls together a ragtag crew to commit mayhem in the San Francisco Bay, while her hapless father tries to get her home.

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51BD3xPnDfL._SY344_BO1,204,203,200_Available from Viking Adult

“O’Nan is an incredibly versatile and charming writer. This novel, which imagines F. Scott Fitzgerald’s troubled time in Hollywood (with cameos by Dorothy Parker, Bogie, and Hemingway), takes up (like much of O’Nan’s work) that essential conundrum of grace struggling with paucity. One brilliant American writer meditating on another–what’s not to love?” —George Saunders

In 1937, F. Scott Fitzgerald was a troubled, uncertain man whose literary success was long over. In poor health, with his wife consigned to a mental asylum and his finances in ruins, he struggled to make a new start as a screenwriter in Hollywood. By December 1940, he would be dead of a heart attack.

Those last three years of Fitzgerald’s life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O’Nan’s gorgeously and gracefully written novel. With flashbacks to key moments from Fitzgerald’s past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham, begins work on The Last Tycoon, and tries to maintain a semblance of family life with the absent Zelda and daughter, Scottie.

Fitzgerald’s orbit of literary fame and the Golden Age of Hollywood is brought vividly to life through the novel’s romantic cast of characters, from Dorothy Parker and Ernest Hemingway to Humphrey Bogart. A sympathetic and deeply personal portrait of a flawed man who never gave up in the end, even as his every wish and hope seemed thwarted, West of Sunset confirms O’Nan as “possibly our best working novelist” (Salon).

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Screen Shot 2014-12-15 at 11.40.56 AMAvailable from Algonquin Books

Johnston has a poet’s eye for the majestic and forbidding nature of the Rockies, and a sociologist’s understanding of how people act under pressure. He also has a knack for creating characters that the reader will come to care about . . . Combining domestic drama with wilderness adventure, Johnston has created a hybrid novel that is as emotionally satisfying as it is viscerally exciting. —Publishers Weekly, starred review

The Rocky Mountains have cast their spell over the Courtlands, a young family from the plains taking a last summer vacation before their daughter begins college. For eighteen-year-old Caitlin, the mountains loom as the ultimate test of her runner’s heart, while her parents hope that so much beauty, so much grandeur, will somehow repair a damaged marriage. But when Caitlin and her younger brother, Sean, go out for an early morning run and only Sean returns, the mountains become as terrifying as they are majestic, as suddenly this family find themselves living the kind of nightmare they’ve only read about in headlines or seen on TV.

As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren’t they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin’s disappearance, all the more devastating for its mystery, is the beginning of the family’s harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life?

Written with a precision that captures every emotion, every moment of fear, as each member of the family searches for answers, Descent is a perfectly crafted thriller that races like an avalanche toward its heart-pounding conclusion, and heralds the arrival of a master storyteller.

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OSLITM_finalAvailable from A Strange Object

A beautiful aftershock of the movies. —David Gordon Green

A whip-smart fiction debut, Our Secret Life in the Movies riffs on classic and cult cinema. Inspired by films from silent-era documentaries to music videos, the authors unfold a dual narrative about two boys growing up in the 1980s. Coming of age during the last days of the Cold War, these characters dream of space exploration and nuclear winter, Reaganomics and Dungeons & Dragons, Blade Runner and Red Dawn.

By turns witty, haunting, and lushly cinematic, Our Secret Life makes one thing very clear: we are in the movies, and the movies are in us.

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preparationAvailable from Tyrant Books

Lish (Life Is with People) turns to fiction with this stunning debut novel that plums the underbelly of New York City, tracing the relationship of Zou Lei, a Chinese immigrant working in a tiny noodle restaurant, and Skinner, an AWOL Iraqi war veteran and wanderer. Enduring stints in prison and homelessness, Zou Lei and Skinner experience life on society’s fringes. Lish destroys the American dream with struggles his characters face—for Zou Lei, it’s enough to survive: “forget living like and American. It was enough to be free on the streets.” New York City is anything but idyllic; through the perspective of the two protagonists, it is frightening and cruel and alien. Zou Lei and Skinner have their budding relationship tested by insurmountable odds, and their own foibles and peculiarities are rendered with vivid detail. Lish’s prose is at once raw and disciplined, and every word feels necessary. —Publishers Weekly

Zou Lei, orphan of the desert, migrates to work in America and finds herself slaving in New York’s kitchens. She falls in love with a young man whose heart has been broken in another desert. A new life may be possible if together they can survive homelessness, lockup, and the young man’s nightmares, which may be more prophecy than madness.

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tumblr_na9dt9suzu1rz1q0xo1_500Available from Algonquin Books

“The High Divide, a novel about a family in peril, is haunting and tense but leavened by considerable warmth and humanity. Lin Enger writes with durable grace about a man’s quest for redemption and the human capacity for forgiveness.” —Benjamin Percy, author of Red Moon

In 1886, Gretta Pope wakes one morning to discover that her husband is gone. Ulysses Pope has left his family behind on the far edge of Minnesota’s western prairie with only the briefest of notes and no explanation for why he left or where he’s headed. It doesn’t take long for Gretta’s young sons, Eli and Danny, to set off after him, following the scant clues they can find, jumping trains to get where they need to go, and ending up in the rugged badlands of Montana.

Gretta has no choice but to search for her sons and her husband, leading her to the doorstep of a woman who seems intent on making Ulysses her own. Meanwhile, the boys find that the closer they come to Ulysses’ trail, the greater the perils that confront them, until each is faced with a choice about whom he will defend, and who he will become.

Enger’s breathtaking portrait of the vast plains landscape is matched by the rich expanse of his characters’ emotional terrain, as pivotal historical events–the bloody turmoil of expansionism, the near total demise of the bison herds, and the subjugation of the Plains Indians–blend seamlessly with the intimate story of a family’s sacrifice and devotion.

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