So, just in brief, tell me about your life, how you became a writer, what you think about the fate of the novel and whether you believe in free will.

Uh, talking about myself isn’t really my jam. I’d much rather hear about you and your life.

Time theft. This was Anna’s first thought when she found out she was being let go. Everyone was doing it—Brandon was practically webcasting gay porn from his cube—but for some reason management had decided to unleash the mailbox scrubbers and digital hounds on her. Worse, she couldn’t deny it. The Internet had draped itself, kudzu-like, over her brain. There were disturbing signs. Or rather, signs that Leslie later pointed out were disturbing. Like the spam collection. “Spam’s not a collectible,” Leslie had said when Anna laid her confession on the table. “That’s not a thing, Anna.” And Anna had to explain because Leslie didn’t know what it was like out there—her floors were cleaned by tiny robots with cute names. Market brinksmanship had driven spammers to new poetic heights. Someone should be saving it, studying it, sorting it according to some matrix of desperation, even.

A man tipped back his head and thrust a flaming stick into his open mouth. A blind charmer blew into his flute, and snakes stood upright like question marks. A giant swallowed a bucket of nails until his belly sagged under the groaning weight. Thick men clad in bright loincloths and boots circled, charged, and gripped oiled biceps, struggling to fell one another like massive, entwined oaks. Other sportsmen appeared to be flicking some sort of animal bone at a target with the goal of trying to knock yet more animal bones away while nearby an archery contest looked ready to commence. It all appeared good fun, this field day on the edge of a cliff. The Reverend felt he just might like to join in. But as he strode forward, the crowd parted and shuffled anxiously to keep out of his way.

Caroline Leavitt is silly and weird. I know this because I interviewed her here about her last novel, Pictures of You, but here I am again.  Is This Tomorrow is her second novel with Algonquin, the employees of which she refers to as “the gods and goddesses” of publishing. The novel centers on 1950s Jewish divorcée Ava Lark and her 12 year old son, Lewis, who move into an unwelcoming suburb, where Lewis quickly befriends the only two other fatherless kids on the block, Jimmy and Rose. But when Jimmy vanishes, Ava is targeted, Lewis grows up directionless, and Rose is convinced her brother is still alive. But what really happened that day, and should the truth of it really be told?

Thanks, Caroline for letting me pepper you with questions.

She came home to find him in her kitchen. She was in no mood, having spent the whole morning arguing with a lawyer, but there he was, her son’s best friend, Jimmy Rearson, a twelve- year-old kid home from school at three on a Wednesday afternoon with too-long hair and a crush on her, reading all the ingredients on the back of a Duncan Hines Lemon Supreme cake mix, tapping the box with a finger. “Adjust temperature for high altitudes,” he said, as if it really mattered. She felt a pang for him, a boy so lonely he feigned interest in how many eggs and how much sugar a cake might need. He leaned over unabashedly and turned on her radio, and there was Elvis crooning “Heartbreak Hotel,” the words splashing into the kitchen.

Your first novel is about the relationship between an aspiring female astronomer on Quaker Nantucket in the 1840s and an ambitious black Azorean whaler she’s tutoring in celestial navigation. That must have been a breeze!

Is this a question?

Do you like asking yourself questions?

Hell no! I want to be asked questions. I want there to be a stream of people thrusting microphones in my face, snapping photographs, and asking me a thousand unanswerable questions which I simple deflect with a wave of my hand and a dazzling smile which reveal my perfect teeth as I keep walking, and pausing – occasionally – to sign autographs and wave and blow kisses. All to the music of Josh Ritter. So it’s kind of a swell but also poignant and about-to-fall-off-a-precipice feeling. Oh, and I’m also rocking some designer bling as I’m doing this. In high heels. Backward. George Clooney may be holding my arm too. Or Jonathan Rhys Meyers (since we share that bit about being expelled from school at the age of 16). I’d be heading off to a rally for some cool social-justice cause or to party hard, depending.

1979

The Listeners 

God was not responsible for what came to pass. People said it was karma, punishment in this life for past sins, fate. People said that no beauty was permitted in the world without some accompanying darkness to balance it out, and, surely, these children were beautiful. But what people said was unimportant; what befell them befell us all.

When her father left the garret, Hannah stayed in her chair like a prisoner, trying to clear the clouds from her mind and concoct a sensible plan. The only thing that looked like salvation was Edward. She’d be allowed to stay if he were home to act as chaperone and guardian— though he’d be first to point out that their roles ought to be reversed. Together, they could manage to oversee the farm and the chronometers, and even a contract with the Coast Survey, should one materialize.

Your newest novel, The World Without You, takes place over a July 4^th holiday in the Berkshires.  The Frankel family is gathering at their country house for the memorial for Leo, the youngest child, who was a journalist killed in Iraq.  Is the book autobiographical?

I wasn’t killed in Iraq.

“Here,” she says, “I’ll get you a sweater.” She’s barely done speaking before she’s taking the stairs two at a time, her espadrilles clomping against the peeling wood, transporting her down the long hallway. It’s July and twilight comes late, so even now, at nine o’clock, the last of the sun still colors the sky, but inside the house the corridors are dark and she’s neglected to illuminate the antique standing lamp at the top of the stairs as if to reflect an inner austerity. It’s their country house, but like their apartment in the city the hallway runs through it, an endless spine, which she traverses now, past the Kathe Kollwitz etchings and the street map of Paris and the photographs of her and David’s grandparents staring down at them on opposite sides of the wall from another continent and century. She moves with such purpose (dogged, implacable: those are the words David uses to describe her) that when she reaches the lip of their bedroom and steps inside she’s startled to discover she’s forgotten what she came for.

I love the title of your new book!

Thank you! I didn’t think of it. It was originally called–

I just love mermaids.

It’s actually a rusalka, which is the mermaid of Slavic folklore. They are these kind of spooky, spectral siren figures that are the souls of wronged women – illegitimate mothers, brides left at the altar, pregnant suicides.  So the mermaid in the book is a kind of a spirit. In my first draft I didn’t even mention the word “mermaid.” I had this idea it would be like Zone One, that great Colson Whitehead zombie novel that never once says zombie in it. But then I remembered I’m not Colson Whitehead.

Before I died the first time, my husband left me broke and alone with our two tiny children and it made me feel very depressed, etc. It’s the same old story: He went to buy cigarettes and never came home. Really. Wouldn’t you think you’d want to pack a bag or two, leave a forwarding address? Couldn’t he have at least taken the dog? These were the things I wondered in the beginning. Not: was he having an affair, or: was he mixed up in something nefarious, but: I can’t believe he wouldn’t bring his datebook, his favorite loafers; I can’t believe he didn’t change the lightbulb in the hallway before deserting us. He knew I couldn’t reach that lightbulb. The whole thing was unlike him. Then again, I was the one who died, which was unlike me, too.

DIVERTERS

(Summer 2010)

The day had started out with me shitting blood. A little later, I was shivering in Doc’s passenger seat under the warm July California sun, asking Doc about the blood while we were on the way to Tustin to see this friend of his who was supposed to help us get some morphine.

Why the title Tin God?

According to my esteemed Dictionary.com,  a tin god is someone, esp. a minor official, who is pompous and self-important. I’m referring to my fallen conquistador who perhaps was once pompous and self-important but as soon as he is relegated to the journey into the unknown, he’s in trouble. He has to gouge a dead comrade out of his armor and steal his tin hat in order to protect himself. His deterioration is a paean to “A Distant Episode,” Paul Bowles’ perfect story about the fall of an academic in Morocco, although maybe all stories about the disoriented in exotic climes derive from Bowles or maybe Dante’s Inferno, or even Rabelais whose narrator resides inside Pantagruel’s mouth for six months and discovers an entire nation living around his teeth.