Tuesday, February 7, 2012

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john madera
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John Madera

JOHN MADERA writes fiction and nonfiction, and sometimes likes to blur the two. His work is forthcoming in Conjunctions, The Believer, Mud Luscious Press, Jaded Ibis Press, Willows Wept Press, The Review of Contemporary Fiction, and Publishing Genius; and may be found in Opium Magazine, Featherproof Press, elimae, Everyday Genius, ArtVoice, Underground Voices,Little White Poetry Journal #7, Corduroy Mountain, and hitherandthithering waters. A member of the National Book Critics Circle, his criticism may be found in 3:AM Magazine, The Brooklyn Rail, Bookslut, The Collagist, DIAGRAM, Fiction Writers Review, Flatmancrooked, The Millions, The Prairie Journal: A Magazine of Canadian Literature, The Quarterly Conversation, Rain Taxi: Review of Books, New Pages, Open Letters Monthly,The Rumpus, Tarpaulin Sky, and Word Riot. He is editing a collection of essays on the craft of writing (Publishing Genius Press). He edits the forum Big Other and journal The Chapbook Review. Former fiction editor at Identity Theory, he’s senior flash fiction editor at jmww. He also sings and plays guitar for Mother Flux.



 Recent Work by John Madera
FICTION »
A Reader’s Log(orrhea) #5: Finnegans Wake
John Madera, wide-awake, explores James Joyce's Finnegans Wake.
FICTION »
A Reader’s Log(orrhea) #4: Lyrical Language and Luminous Bits
Madera examines books by Sven Birkerts, Hart Crane, Flann O'Brien, and Jane Unrue.
FICTION »
A Reader’s Log(orrhea), #3: With the Power of Prose Everything Is Possible
John Madera discusses the books he read in March 2010.
FICTION »
A Reader’s Log(orrhea)
John Madera discusses the books he's read in January, 2010, with an especial focus on William Gass's books.
   
   
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